a memory of England
Our house in England was called "the
Old Stables," guess why? It had
been the stables for the manor house two lots over. Right next to us was the carriage house,
which had also been converted. All
together they had been part of Baston Manor.
The road was even called Baston Manor road.
The house, being an old stables, had only
one upstairs room, which became my room just by general consensus. Upon entering through the front door, you
could walk down a long hall to the left, passing the kitchen, office, and
master bedroom. At the end of the hall
was the master bathroom, and you would turn right, pass a little bathroom,
(which was always very odd,) and encounter the second bedroom. The lounge was accessed by walking straight
forward after coming in the door, then to left of that - and in back of the
kitchen - was the dining room.
Altogether the house was very odd, but we came to love it and rather
made it our own.
We had a conservatory after the dining
room that exited onto the patio at the back of the house. After the patio there was a back yard, and
after the back yard, there was a bit of a woods. We would brave the nettles and walk back
through the trees on a path barely wide enough for a deer, let alone a
human. The path led down a little slope
toward pastures that bordered the space of woods. But if you didn't quite make it down to the
fences, and instead turned right, you'd see a bomb crater.
We always thought that was so cool, my
sisters and I. People, I don't know who
- or the how - would throw various pieces of junk into the rather large hole. For a long time there were two bikes and
other metal items, a couple of tires and some barbed wire. We found a red flower plate in there, and a
blue plastic light-saber, and also a skateboard. All three of those things we brought home to
New Jersey. The plate we use in the
kitchen as, well, a plate. The light-saber
is up in the attic and we use it as a weapon for the plays we put on and the
movies we make. Out in the garage the
skateboard sits, rarely used, but sometimes we'll see it (I'll see it) and
fondly recall our days back in England, where we had a great big hole in our
backyard, just before the fence where you could sometimes feed the horses who
lived there. I think I'm the only real
sentimental one (definitely) who might reach out and touch the skateboard,
imagining that it was a scene in a movie and then maybe talk to an invisible
friend about how we'd found that beat up board with wheels in the bomb crater,
in the woods in back of The Old Stables.
I'd carry on like this until one of my
sisters catches me or I realized how silly I sounded. Then I'd close the garage door and go back
inside, but my mind would be churning with the memories of England, big ditches
created by explosions, horse, paths and manors.
And I might get teary eyed and write a poem, a terrible poem, trying to
explain how I feel, and then understand that it's really quite okay just to
feel things, and not always have to explain them.
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